It establishes a foundation for later, more somber moments during the Rodney King riots, when the film’s titular slogan surfaces in graffiti throughout downtown Los Angeles and becomes a mantra of pure fury. Gray’s camera swirls about the arena as thousands of middle fingers rise up in unison the air of rebellious glee is palpable. In a Detroit stadium, having been cautioned by the local authorities against performing “Fuck tha Police,” the group proceeds to do just that. The montage sequence featuring the group’s initial recording of “Fuck tha Police,” which occurs in the wake of a tensely staged showdown with racist cops, places the song in a vivid context that lasts throughout the film. However, “Compton” succeeds at conveying the sheer power of the group to galvanize its audience. At times, the story borders on pure camp - a passing shot of Cube giggling at his “Friday” script, a movie that Gray himself would end up directing, epitomizes the meta absurdity riddled throughout this meandering, two-and-a-half hour celebratory portrait. That doesn’t make “Compton” a perfect movie. didn’t just challenge the system they rewired the machine with rhythm and rhymes. Bush’s questionable military record in “ Truth” to the team of reporters unraveling a history of sexual abuse in the Catholic Church in “ Spotlight.” Only in “Compton,” however, do we witness a true revolution in the communication of a powerful message through mainstream channels. Several new movies deal with the value of shoe-leather reporting to right wrongs in American society, from the misguided attempts by Dan Rather to expose George W. That places the movie at the center of a theme percolating throughout this year’s fall movie season. ‘Pianoforte’ Review: Competitive Piano Documentary Showcases the Utter Joylessness of Chasing a Dream
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